A review of

Three New Picto-Novelettes

by Various Authors

Central question: What looks like a children’s book and reads like a children’s book but isn’t a children’s book?
Books reviewed: Struwwelpeter by Bob Staake (Fantagraphics, 2006); Sheep of Fools by Sue Coe & Judith Brody (Fantagraphics, 2005); Darling Cheri by Walter Minus (Fantagraphics, 2006). Format: 32 pp., hardcover; Price: $14.95; Editor of the Blab! series: Monte Beauchamp; Number of Blab! books sold worldwide: 100,000; Number of volumes in the annual coffee table Blab! series: 17; Representative sentences: “Sheep weren’t made for sailors.” (Sheep of Fools); “My darling, you were sleeping so soundly, that I didn’t want to wake you.” (Darling Cheri); “And on the fifth day he was dead.” (Struwwelpeter)

In 1844, a Frankfurt physician named Heinrich Hoffman (sometimes known as the “medical man of the lunatic asylum”) went into town to buy a children’s book for his three-year-old son. He found nothing but what he called “stupid stories, beginning and ending with admonitions like ‘the good child must be truthful’.” Irritated by the poor selection, he wrote and illustrated his own collection of children stories called Struwwelpeter (translation: Shockheaded Peter), which he gave to his son for Christmas. They are some of the most horrific, brutal stories ever to be considered juvenilia, and they mark the genesis in a long tradition of unusual art books.

Fantagraphics has just released a new edition of Struwwelpeter, which it is calling “the world’s most nightmarish children’s book.” This edition is illustrated by artist Bob Staake (MAD, Cartoon Network), who remembers, “When I was given the book as a kid I didn’t know if it was a joke or not, but my German parents weren’t laughing.” Staake’s art, which is 100 percent digital, lies somewhere between Pop Art’s sterile cleanliness, South Park’s cut-and-paste characters, and Wassily Kandinsky’s bright color slabs. It has the sort of vibrant, immediate energy that is generally associated with candy wrappers and billboards, yet most of the imagery involves bloody, dying children. This edition of Struwwelpeter is one of the first in a new line of books called the Blab! Storybooks, a series that caters to a strain of bizarre illustrated literature that eschews the formats of accepted genres (art book, comic book, graphic novel, children’s book) and explores new, hybridized forms. The series includes new work by gallery artists, illustrators, and cartoonists such as Camille Rose Garcia, Drew Friedman, and David Sandlin.

Struwwelpeter is a collection of short poems about children who are violently punished for disobedience. Little Pauline plays with matches, sets herself on fire, and burns to death as her cats watch. Augustus, a finicky eater, refuses to eat his soup and very quickly dies of debilitating starvation. A thumb-sucking child’s thumb is amputated by someone called the Scissorman; young boys drown; racist white children are dipped in black ink, and an evil, animal-abusing child called “Cruel Frederick” is mauled by his pet dog. Most slasher films would be more appropriate entertainment for the average child. This is the beauty of Struwwelpeter: it is a book completely ill-suited to its own audience. Even the Lemony Snicket books, as dark as they are, shoot for an older, slightly less impressionable readership, while Struwwelpeter works at the Dr. Seuss reading level:

So she was burnt with all her clothes,
Her arms, her hands, her eyes, her nose,
Until she had no more to lose,
Except her little scarlet shoes.

We hope you enjoy this excerpt.

To read the full piece, please visit our store to purchase a copy of the magazine.

—Ross Simonini

Ross Simonini is one third of the band Trespassers William. He is working on a book and an album.

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